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Description |
Mexico witnessed an exciting revival of printmaking alongside its
better-known public mural programme in the decades after the 1910-20
revolution. Major artists such as Diego Rivera, David Alfaro Siqueiros, Jose
Clemente Orozco, and Rufino Tamayo produced numbers of prints that furthered
the social and political reforms of the revolution and helped develop a
uniquely Mexican cultural identity. This groundbreaking book is the first to
undertake an in-depth examination of these prints, the vital contributions
Mexico's printmakers made to modern art, and their influence on coming
generations of foreign artists. Along with a thorough discussion of the
printmaking practices of Rivera, Siqueiros, Orozco, Tamayo, and others, the
book features some 300 handsomely illustrated prints, many previously
unpublished. Essays by distinguished scholars investigate the dynamic
cultural exchange between Mexico and other countries at this time. They
analyze the work of such Mexican artists as Emilio Amero and Jesus Escobedo,
who traveled abroad, and such international artists as Elizabeth Catlett and
Jean Charlot, who came to Mexico. They also discuss the important roles of
the Taller de Grafica Popular, a flourishing print workshop founded in
Mexico City in 1937, and the Weyhe Gallery in New York, which published and
distributed prints by many of these artists during the 1920s and 1930s.
Together, the prints and essays tell the fascinating history of Mexico's
graphic-arts movement in the early 20th century. |
